
Unlocking Middle-earth: The Epic Lore of The Silmarillion
Discover Tolkien's Mythic Masterpiece Beyond The Lord of the Rings
The Birth of a Masterpiece: Origins and Publication
J.R.R. Tolkien's journey with The Silmarillion began during his time as a young
scholar at Oxford in 1914, making it his first serious venture into the
mythology of Middle-earth. The early drafts, originally
titled 'The Book of Lost Tales,' were written in army camps and hospitals during
World War I, where Tolkien served as a signals officer. These initial writings
established the foundation for what would become his entire legendarium,
including the tales of the First Age and the creation of Arda.
Despite decades of dedication to this complex mythology, The Silmarillion
remained incomplete when J.R.R. Tolkien passed away in 1973. Throughout his
life, Tolkien continuously revised and expanded the manuscript, creating
multiple versions of many stories and leaving behind a vast collection of
interconnected texts and notes. The complexity of the work and Tolkien's
perfectionism, combined with his responsibilities as a professor and the success
of his other books, prevented him from completing the manuscript to his
satisfaction.
Christopher Tolkien, J.R.R. Tolkien's son and literary executor, undertook the
monumental task of organizing and editing his father's manuscripts after his
death. Working with Guy Gavriel Kay, Christopher spent four years carefully
compiling and connecting the various texts, ensuring consistency while
preserving his father's vision. The published version of The Silmarillion in
1977 represented the culmination of this detailed editorial work, presenting a
coherent narrative from the diverse manuscript materials.
The Silmarillion represents an unprecedented achievement in literary
world-building, encompassing over 60 years of Tolkien's creative life. From its
beginnings in the trenches of World War I to its final form, the manuscript
evolved alongside Tolkien's academic career and his other literary works. The
extensive notes, revisions, and alternate versions would later form the basis
for Christopher Tolkien's 12-volume History of Middle-earth series, which
documents the development of this remarkable mythology.
The Music of the Ainur: Creation of Arda
In the beginning, Eru Ilúvatar, the One, brings forth the Ainur from his
thought. These powerful spiritual beings, akin to angels in Christian mythology,
possess unique abilities and understanding derived from the mind of Ilúvatar.
The greatest among them, such as Manwë, Varda, Aulë, and
Melkor, each embody different aspects of Ilúvatar's
thought and creativity.
The Music of the Ainur, known as the Ainulindalë, represents the supreme act of
subcreation in Tolkien's mythology. Through this great symphony, the Ainur weave
the themes given to them by Ilúvatar into a magnificent harmony that contains
the entire history of Arda. The music becomes visible as a vision to the Ainur,
and Ilúvatar gives it physical reality with his proclamation 'Eä! Let these
things Be!'
Melkor, gifted with the greatest power and knowledge among the Ainur, weaves his
own themes into the music, seeking to increase his portion of the creative
power. His discord spreads among some of the other Ainur, creating strife within
the great theme. However, Ilúvatar incorporates even Melkor's discord into a
greater pattern, demonstrating that no creation can ultimately deviate from his
grand design.
The First Age Begins: The Two Trees and the Awakening of the Elves
The creation of the Two Trees of Valinor by Yavanna marks a pivotal moment in
the history of Arda. Telperion, the elder tree, glows with silver light, while
Laurelin radiates golden radiance. Their intermingling light creates the
counting of time in Valinor, as each tree waxes and wanes in a regular cycle.
The light of these trees later becomes a central element in the mythology,
preserved only in the Silmarils after their destruction.
The Valar, the most powerful of the Ainur who entered into Arda,
establish their realm in Valinor after the destruction of their original
dwelling places by Melkor. In this blessed realm west of the great sea, they
create a place of unparalleled beauty and power. The region becomes home to many
of the Maiar and, eventually, to the Elves who heed their
summons.
The first Elves awaken by the waters of Cuiviénen in the starlit darkness of
Middle-earth, before the creation of the Sun and Moon. These Firstborn of
Ilúvatar, known as the Quendi, initially know only the light of the stars set in
the heavens by Varda. Their awakening marks the beginning of the First Age of
the Children of Ilúvatar, and their discovery by the Vala Oromë leads to the
Great Journey westward, forever changing the fate of Arda.
The Silmarils and the Oath of Fëanor
Fëanor, greatest of all the Elves in skill and knowledge,
creates his masterworks the Silmarils in Valinor. These three great jewels
contain the blended light of the Two Trees, captured through means that even the
Valar cannot replicate. The creation of these jewels represents the peak of
Elvish craftsmanship, but their beauty becomes a source of pride and ultimately
leads to tragedy.
Melkor, aided by the monstrous spider Ungoliant,
destroys the Two Trees of Valinor during a time of festival. Taking advantage of
the darkness and confusion, he then travels to Formenos,
slays Fëanor's father Finwë, and steals the Silmarils. This
act plunges Valinor into darkness and sets in motion the tragic events that
follow, marking the end of the blessed peace in Aman.
In response to the theft of the Silmarils, Fëanor and his seven sons swear a
terrible and irrevocable oath. They vow to pursue with vengeance anyone who
withholds the Silmarils from them, be they Vala, demon, Elf, or Man yet unborn.
This oath becomes a driving force behind many of the tragic events of the First
Age, leading to kinslaying and ultimately the doom of the
Noldor.
The Great Tales of the First Age
The tale of Beren and Lúthien stands as one of the
most significant stories in The Silmarillion, representing the first union of
Elves and Men. Beren, a mortal man, falls in love with
Lúthien, daughter of King Thingol and the Maia
Melian. Their quest to recover a Silmaril from Morgoth's crown involves battles
with wolves, vampires, and even Morgoth himself. Their success comes at great
cost, yet their love transcends death itself, setting a precedent that would
later be reflected in the story of Aragorn and
Arwen.
The hidden city of Gondolin, built by Turgon in secrecy,
stands as the last great realm of the Noldor in Middle-earth. Protected by
encircling mountains and powerful enchantments, it remains hidden from Morgoth
for centuries. However, betrayal by Maeglin leads to its
devastating fall, where dragons and Balrogs destroy the city. The tragic tale
includes heroic acts like Glorfindel's battle with a
Balrog and the escape of Tuor and Idril with the young
Eärendil.
The story of Túrin Turambar presents one of the
most sorrowful tales in The Silmarillion. Son of Húrin, who was captured by
Morgoth, Túrin lives under the shadow of Morgoth's curse upon his family. His
life becomes a series of tragic events, including the accidental death of his
friend Beleg, the fall of Nargothrond, and his unwitting
marriage to his sister Nienor. The tale culminates in their tragic suicides upon
discovering the truth, fulfilling Morgoth's curse.
The War of Wrath and the End of the First Age
The War of Wrath begins as the Valar finally heed the
prayers of Eärendil and march against Morgoth. The Host of the West, comprising
Valar, Maiar, and Elves of Valinor, arrives in Middle-earth to challenge
Morgoth's dominion. This great army faces legions of Orcs,
Balrogs, and dragons in the largest battle of the First Age.
The breaking of Thangorodrim, Morgoth's fortress of three mighty peaks, marks
the climactic moment of the War of Wrath. The Valar's forces, aided by the Great
Eagles and led by Eönwë, Herald of Manwë, finally defeat Morgoth's armies.
Morgoth himself is captured, his iron crown beaten into a collar, and he is cast
into the Void beyond the Walls of Night.
The tremendous power unleashed during the War of Wrath causes the breaking and
sinking of Beleriand, the great realm of the Elves in the
northwest of Middle-earth. Most of the land west of the Blue Mountains sinks
beneath the sea. The fate of the Silmarils concludes as one is lost in the
depths of the ocean, another in the fires of the earth, and the third sails the
heavens with Eärendil as a star.
Structure and Style of The Silmarillion
The Silmarillion employs a unique narrative style that sets it apart from
Tolkien's more widely-known works. Written in a elevated, archaic prose
reminiscent of ancient mythological texts and the Bible, it presents its stories
with a sense of historical gravity and mythic distance. This formal approach
helps establish the work as a foundational text for Middle-earth's mythology,
giving it the feeling of ancient chronicles rather than a novel.
The work consists of five distinct sections, each with its own character and
focus. The Ainulindalë recounts the creation myth, while the Valaquenta
describes the Valar and Maiar. The Quenta Silmarillion forms the main body of
the work, telling the tales of the First Age. The
Akallabêth relates the history of
Númenor, and Of the Rings of Power
provides a brief account of the Second and Third Ages, connecting directly to
The Lord of the Rings.
To assist readers in navigating the complex mythology, The Silmarillion includes
extensive supplementary materials. The index of names includes detailed
information about characters, places, and objects, while genealogical tables
help readers track the complicated relationships between various houses of Elves
and Men. These resources prove invaluable for understanding the intricate web of
stories and relationships within the text.
Connection to The Lord of the Rings
The Silmarillion provides crucial historical context for the events and
references found throughout The Lord of the Rings. The history of the Rings of
Power, the nature of the Elves, and the origin of characters like
Sauron are all explained in detail within its pages. This
background information enriches the reader's understanding of the Third
Age and the War of the Ring.
Many seemingly casual references in The Lord of the Rings gain deeper
significance when viewed through the lens of The Silmarillion. Mentions of
places like Gondolin, artifacts like the Phial of
Galadriel containing the light of Eärendil's
star, and songs about characters like Beren and Lúthien all connect directly to
the earlier mythology. These connections demonstrate how thoroughly Tolkien
integrated his entire legendarium.
Several major characters in The Lord of the Rings have their origins detailed in
The Silmarillion. Elrond's choice of immortality while his brother Elros became
the first King of Númenor, Galadriel's role in the
rebellion of the Noldor and her departure from Valinor, and even Sauron's
original nature as a Maia of Aulë are all explained in these earlier tales.
Understanding these backgrounds adds significant depth to their appearances in
the later story.