The Birth of a Masterpiece: Origins and Publication

J.R.R. Tolkien's journey with The Silmarillion began during his time as a young scholar at Oxford in 1914, making it his first serious venture into the mythology of Middle-earth. The early drafts, originally titled 'The Book of Lost Tales,' were written in army camps and hospitals during World War I, where Tolkien served as a signals officer. These initial writings established the foundation for what would become his entire legendarium, including the tales of the First Age and the creation of Arda.
Despite decades of dedication to this complex mythology, The Silmarillion remained incomplete when J.R.R. Tolkien passed away in 1973. Throughout his life, Tolkien continuously revised and expanded the manuscript, creating multiple versions of many stories and leaving behind a vast collection of interconnected texts and notes. The complexity of the work and Tolkien's perfectionism, combined with his responsibilities as a professor and the success of his other books, prevented him from completing the manuscript to his satisfaction.
Christopher Tolkien, J.R.R. Tolkien's son and literary executor, undertook the monumental task of organizing and editing his father's manuscripts after his death. Working with Guy Gavriel Kay, Christopher spent four years carefully compiling and connecting the various texts, ensuring consistency while preserving his father's vision. The published version of The Silmarillion in 1977 represented the culmination of this detailed editorial work, presenting a coherent narrative from the diverse manuscript materials.
The Silmarillion represents an unprecedented achievement in literary world-building, encompassing over 60 years of Tolkien's creative life. From its beginnings in the trenches of World War I to its final form, the manuscript evolved alongside Tolkien's academic career and his other literary works. The extensive notes, revisions, and alternate versions would later form the basis for Christopher Tolkien's 12-volume History of Middle-earth series, which documents the development of this remarkable mythology.

The Music of the Ainur: Creation of Arda

In the beginning, Eru Ilúvatar, the One, brings forth the Ainur from his thought. These powerful spiritual beings, akin to angels in Christian mythology, possess unique abilities and understanding derived from the mind of Ilúvatar. The greatest among them, such as Manwë, Varda, Aulë, and Melkor, each embody different aspects of Ilúvatar's thought and creativity.
The Music of the Ainur, known as the Ainulindalë, represents the supreme act of subcreation in Tolkien's mythology. Through this great symphony, the Ainur weave the themes given to them by Ilúvatar into a magnificent harmony that contains the entire history of Arda. The music becomes visible as a vision to the Ainur, and Ilúvatar gives it physical reality with his proclamation 'Eä! Let these things Be!'
Melkor, gifted with the greatest power and knowledge among the Ainur, weaves his own themes into the music, seeking to increase his portion of the creative power. His discord spreads among some of the other Ainur, creating strife within the great theme. However, Ilúvatar incorporates even Melkor's discord into a greater pattern, demonstrating that no creation can ultimately deviate from his grand design.

The First Age Begins: The Two Trees and the Awakening of the Elves

The creation of the Two Trees of Valinor by Yavanna marks a pivotal moment in the history of Arda. Telperion, the elder tree, glows with silver light, while Laurelin radiates golden radiance. Their intermingling light creates the counting of time in Valinor, as each tree waxes and wanes in a regular cycle. The light of these trees later becomes a central element in the mythology, preserved only in the Silmarils after their destruction.
The Valar, the most powerful of the Ainur who entered into Arda, establish their realm in Valinor after the destruction of their original dwelling places by Melkor. In this blessed realm west of the great sea, they create a place of unparalleled beauty and power. The region becomes home to many of the Maiar and, eventually, to the Elves who heed their summons.
The first Elves awaken by the waters of Cuiviénen in the starlit darkness of Middle-earth, before the creation of the Sun and Moon. These Firstborn of Ilúvatar, known as the Quendi, initially know only the light of the stars set in the heavens by Varda. Their awakening marks the beginning of the First Age of the Children of Ilúvatar, and their discovery by the Vala Oromë leads to the Great Journey westward, forever changing the fate of Arda.

The Silmarils and the Oath of Fëanor

Fëanor, greatest of all the Elves in skill and knowledge, creates his masterworks the Silmarils in Valinor. These three great jewels contain the blended light of the Two Trees, captured through means that even the Valar cannot replicate. The creation of these jewels represents the peak of Elvish craftsmanship, but their beauty becomes a source of pride and ultimately leads to tragedy.
Melkor, aided by the monstrous spider Ungoliant, destroys the Two Trees of Valinor during a time of festival. Taking advantage of the darkness and confusion, he then travels to Formenos, slays Fëanor's father Finwë, and steals the Silmarils. This act plunges Valinor into darkness and sets in motion the tragic events that follow, marking the end of the blessed peace in Aman.
In response to the theft of the Silmarils, Fëanor and his seven sons swear a terrible and irrevocable oath. They vow to pursue with vengeance anyone who withholds the Silmarils from them, be they Vala, demon, Elf, or Man yet unborn. This oath becomes a driving force behind many of the tragic events of the First Age, leading to kinslaying and ultimately the doom of the Noldor.

The Great Tales of the First Age

The tale of Beren and Lúthien stands as one of the most significant stories in The Silmarillion, representing the first union of Elves and Men. Beren, a mortal man, falls in love with Lúthien, daughter of King Thingol and the Maia Melian. Their quest to recover a Silmaril from Morgoth's crown involves battles with wolves, vampires, and even Morgoth himself. Their success comes at great cost, yet their love transcends death itself, setting a precedent that would later be reflected in the story of Aragorn and Arwen.
The hidden city of Gondolin, built by Turgon in secrecy, stands as the last great realm of the Noldor in Middle-earth. Protected by encircling mountains and powerful enchantments, it remains hidden from Morgoth for centuries. However, betrayal by Maeglin leads to its devastating fall, where dragons and Balrogs destroy the city. The tragic tale includes heroic acts like Glorfindel's battle with a Balrog and the escape of Tuor and Idril with the young Eärendil.
The story of Túrin Turambar presents one of the most sorrowful tales in The Silmarillion. Son of Húrin, who was captured by Morgoth, Túrin lives under the shadow of Morgoth's curse upon his family. His life becomes a series of tragic events, including the accidental death of his friend Beleg, the fall of Nargothrond, and his unwitting marriage to his sister Nienor. The tale culminates in their tragic suicides upon discovering the truth, fulfilling Morgoth's curse.

The War of Wrath and the End of the First Age

The War of Wrath begins as the Valar finally heed the prayers of Eärendil and march against Morgoth. The Host of the West, comprising Valar, Maiar, and Elves of Valinor, arrives in Middle-earth to challenge Morgoth's dominion. This great army faces legions of Orcs, Balrogs, and dragons in the largest battle of the First Age.
The breaking of Thangorodrim, Morgoth's fortress of three mighty peaks, marks the climactic moment of the War of Wrath. The Valar's forces, aided by the Great Eagles and led by Eönwë, Herald of Manwë, finally defeat Morgoth's armies. Morgoth himself is captured, his iron crown beaten into a collar, and he is cast into the Void beyond the Walls of Night.
The tremendous power unleashed during the War of Wrath causes the breaking and sinking of Beleriand, the great realm of the Elves in the northwest of Middle-earth. Most of the land west of the Blue Mountains sinks beneath the sea. The fate of the Silmarils concludes as one is lost in the depths of the ocean, another in the fires of the earth, and the third sails the heavens with Eärendil as a star.

Structure and Style of The Silmarillion

The Silmarillion employs a unique narrative style that sets it apart from Tolkien's more widely-known works. Written in a elevated, archaic prose reminiscent of ancient mythological texts and the Bible, it presents its stories with a sense of historical gravity and mythic distance. This formal approach helps establish the work as a foundational text for Middle-earth's mythology, giving it the feeling of ancient chronicles rather than a novel.
The work consists of five distinct sections, each with its own character and focus. The Ainulindalë recounts the creation myth, while the Valaquenta describes the Valar and Maiar. The Quenta Silmarillion forms the main body of the work, telling the tales of the First Age. The Akallabêth relates the history of Númenor, and Of the Rings of Power provides a brief account of the Second and Third Ages, connecting directly to The Lord of the Rings.
To assist readers in navigating the complex mythology, The Silmarillion includes extensive supplementary materials. The index of names includes detailed information about characters, places, and objects, while genealogical tables help readers track the complicated relationships between various houses of Elves and Men. These resources prove invaluable for understanding the intricate web of stories and relationships within the text.

Connection to The Lord of the Rings

The Silmarillion provides crucial historical context for the events and references found throughout The Lord of the Rings. The history of the Rings of Power, the nature of the Elves, and the origin of characters like Sauron are all explained in detail within its pages. This background information enriches the reader's understanding of the Third Age and the War of the Ring.
Many seemingly casual references in The Lord of the Rings gain deeper significance when viewed through the lens of The Silmarillion. Mentions of places like Gondolin, artifacts like the Phial of Galadriel containing the light of Eärendil's star, and songs about characters like Beren and Lúthien all connect directly to the earlier mythology. These connections demonstrate how thoroughly Tolkien integrated his entire legendarium.
Several major characters in The Lord of the Rings have their origins detailed in The Silmarillion. Elrond's choice of immortality while his brother Elros became the first King of Númenor, Galadriel's role in the rebellion of the Noldor and her departure from Valinor, and even Sauron's original nature as a Maia of Aulë are all explained in these earlier tales. Understanding these backgrounds adds significant depth to their appearances in the later story.